The book recounts the “Millennium Meetings” organized since 1997 as a platform for discussion and an exchange of views between Italcementi, the Italian academic community and the leading international names in contemporary architecture.
MILLENNIUM
MEETINGS WITH ARCHITECTURE
THE BOOK
The many faces of contemporary architecture
With the publication of MILLENNIUM MEETINGS WITH ARCHITECTURE Italcementi offers a testimonial to the work of some of today’s leading architects, from Frank Gehry and Eric Owen Moss to Dominique Perrault and Richard Meier. It recalls a series of memorable lectures delivered by them in Italy in the last few years and also celebrates the contribution that every great designer makes to the evolution of building construction.
In describing the work of these architects, the text gradually evolved from an obligatory overview of outstanding achievements accompanied by biographical notes into a real story, a combination of analysis and narration. Through a retrospective consideration of their individual careers and a critical review of the gap between expectations and realizations, declarations and results, the architects inevitably came to be seen under a different light: not so much as stars, but as individuals, with the difficulties, shortcomings – in some cases the tragedies – of every other human being. In the best cases, the authentic nature of their work as a showcase of true talent shines through even to the disenchanted viewer, who will feel not a little admiration. Whether it is examining the restless explorations of Raimund Abraham, the provocative assemblies of Miralles and Tagliabue (EMBT) or the sophisticated compositions of Peter Eisenman – in his transition from a refined analyst of historic Modernism to architect/sculptor of plastic forms – this book reveals that being an architect is still the last resort for the utopia of a world constructed with and on ideas, inventions and experimentation.
Of course, a collection of so many and such disparate personalities in one book is not a frequent occurrence: in its descriptions of their masterpieces, in its revelations about lesser known aspects of their work, MILLENNIUM gradually also becomes a sort of atlas, a guide to the search for a truth, the truth about construction, which may elude a less attentive observer today. True architecture is no longer simply a physical manifestation, it is fragmented, almost exploded into a hundred different and complex directions: sustainable technologies and materials, artistic intentions, social aspiration, the relationship with the context – to mention only a few – which this book endeavors, at least in part, to describe. In the jumbled and contradictory panorama of our post-modern communities and cities, whose confusion is further compounded by the current economic difficulties, we should pay attention to the coherence of designers who manage, in this new cultural anarchy, to stay on their own original path: keeping faith with the idea of constructive innovation as a tool for evolution in our way of life, convinced they can still foster a more sensitive perception of today’s great transformations through new experiences inside the architectural space.
Stefano Casciani
250 pages, 15 profiles of 15 great exponents of international architecture and 15 Millennium meetings, accompanied by exclusive photographs, with a foreword by Italcementi CEO Carlo Pesenti, and contributions from Livio Sacchi, Aldo Colonetti and Gillo Dorfles. The book is edited by Stefano Casciani and published by the arcVision publishing house.
Only Italian version available
AA.VV., Millennium – Incontri con l’architettura, Bergamo 2012 – ISBN 978-88-96765-08-1
INDICE | |
1 | La ricerca dell’eccellenza Carlo Pesenti |
3 | Gli incontri Millennium Sergio Crippa |
4 | Uno, nessuno, centomila L’architettura come opera collettiva nell’epoca della sostenibilità estetica Stefano Casciani |
6 | Progettare il futuro della città Livio Sacchi |
10 | Il cantiere, luogo dei saperi Aldo Colonetti |
14 | L’architettura oltre l’architettura Dialogo con Gillo Dorfles |
GLI ARCHITETTI a cura di Stefano Casciani |
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18 | Richard Meier Quando le cattedrali tornarono bianche |
36 | Alvar Aalto Umanista nordico e dionisiaco |
50 | Enric Miralles (EMBT) L’ordine e il caos |
64 | Santiago Calatrava Il territorio della scultura |
78 | Dominique Perrault Geografia della trasparenza |
92 | Steven Holl La carne e lo scheletro |
106 | Raimund Abraham La solitudine dell’artigiano |
120 | Nicholas Grimshaw Case sulle macchine, case sugli alberi e altri mondi |
134 | Mario Botta Dal Cantone al Cosmo |
148 | Juan Navarro Baldeweg L’artista e l’architetto |
162 | Kjetil T. Thorsen Archeologie del futuro |
176 | Frank O. Gehry Architettura come rivoluzione (americana) |
190 | Peter Eisenman In principio fu il verbo |
204 | Eric Owen Moss La ballata di Culver City |
218 | Boris Podrecca Il poeta delle migrazioni |